AKAI U40 PDF

The MPC, or Music Production Center, brilliantly combines real-time audio sampling, the ease of drum machine programming, and the sophistication of a multitrack studio in a one-stop groove shop. And it may just be the perfect introduction to MPC culture. All MPCs are designed to get your basic ideas down fast, and to help you grow those ideas quickly. To that legacy, the MPC adds portability--with a footprint no bigger than most laptops, it still packs an impressive array of pro features. The awesome, rubberized MPC pads are the centerpiece of this killer machine; they feel great, are velocity sensitive for dynamic performance, and are responsive enough to capture the craziest rhythms you can tap out. The sixteen trigger pads have four layers each, giving you access to a total of 64 different sounds in one song.

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Interface: The controls on the Akai unit are well laid out and attractive. The whole unit is very light but the buttons and switches feel solid. It was very easy for me to begin using the unit without consulting the manual.

Recording a piece of music and playing it back, either whole or in little loops, was easy. I did, however feel as though I spent more time punching buttons than practicing music. Some of the functions that took two or three keystrokes should only take one or two. It was good having all the LEDs there to help me figure out what was going on. This is not the fault of Akai but just the by-product of the technology. From what I understand, the individual samples are "cut and pasted" to lengthen their duration.

This causes a warbling noise in the music. It is NOT a problem when transcribing; you can still hear what you need to hear just fine. The Transpose function tunes the pitch 6 semitones either way, which can be handy if your want to tune the music to your guitar like those old Charlie Christian records. The Fine Tune adjusts the pitch 50 cents. If you can live without that, and need to be able to transpose the music you transcribe, the Riff-O-Matic just may fit the bill.

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Akai Riff-o-Matic U40 Manuals

Interface: The controls on the Akai unit are well laid out and attractive. The whole unit is very light but the buttons and switches feel solid. It was very easy for me to begin using the unit without consulting the manual. Recording a piece of music and playing it back, either whole or in little loops, was easy. I did, however feel as though I spent more time punching buttons than practicing music. Some of the functions that took two or three keystrokes should only take one or two. It was good having all the LEDs there to help me figure out what was going on.

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Akai Riff-o-Matic U40 Operator's Manual

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